The Revolution will not be plagiarized.
And at the other pole, poets as diverse as Pound, Apollinaire, and late Rilke use syntactic gaps to articulate the powers of will or pure concentration to compose new models of self: cubist simultaneity and transformations of perceptual into conceptual realities provide the basis for imagining that the encounter with history can take on an intensity in the present, enabling one to "schufst du ihnen Tempel im Gehör" (build [your] temple deep inside hearing).
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